This is how Christos Doumas, emeritus professor of archaeology at the University of Athens, describes life in Akrotiri during the 2nd millennium BC. He also speaks about the wealth accumulated on Thera in that distant time from commerce: “The island had trade relations not only with Crete but also with mainland Greece, the Dodecanese, Cyprus, Syria and Egypt.” Thus, the prehistoric Therans, having satisfied their basic needs and thanks to the wealth they gradually acquired, were able to turn their attention to more pleasurable pursuits, for instance the art of good eating. Doumas focuses in particular on how art flourished as a means of projecting social status, and on the democratic structure of Theran society. “It is telling that men, women and children are equally depicted in wall paintings. For this reason, Akrotiri is also called the ‘prehistoric Venice of the Aegean’.”

THE DAY IT ALL CHANGED

This then was the situation until the spring of 1613 BC, when the island’s volcano came out of its slumber. The eruption that followed, the most powerful in the world of the past 10,000 years, completely destroyed Santorini (Thera) and the nearby islands. “If there had been no volcano, however, there would have been no Santorini as we know it today and, of course, there would have been no Akrotiri. Thanks to the volcanic ash, the remains of the prehistoric settlement have been preserved down the centuries,” explains the man who has made this place his life’s work.

In 1975 Doumas took over the excavations begun by the eminent archaeologist Spyridon Marinatos. Since then, he has brought to light an incredible wealth of information about the “Pompeii of the Aegean.” And at the age of 82 he continues to work ceaselessly. “We should be proud of Akrotiri,” says Doumas. “It is part of archaeology courses at universities all over the world. In the history of Aegean civilization, it is considered to have equal importance with the Acropolis (for the Classical period) and Mount Athos (for the Byzantine period). It is a momentous legacy.” All this makes a visit to Akrotiri a unique experience. The archaeological site (covering an area of 12,000 m2) is protected by a bioclimatic shelter that is supported by 96 steel columns, designed by the architect Nikos Fintikakis. Specially designed walkways take visitors around and through the settlement, while there are viewing platforms that provide excellent vantage points.

And, of course, at the Museum of Prehistoric Thera in Fira, the experience is enhanced with important finds from the excavations: marble figurines, pottery, bronze implements, cooking utensils and impressive storage jars with designs indicative of their content. Pay close attention to the celebrated Theran wall paintings (Blue Monkeys fresco, House of the Ladies fresco, etc), the work of outstanding artists, as well as artifacts (seals, lead weights, clay tablets inscribed with Linear A script) that provide evidence that the complex society of prehistoric Akrotiri devised and used systems of writing and measurement. That is, they applied methods for the management of goods, developing a type of bureaucracy. Finally, just before leaving the exhibition area, don’t forget to visit the most impressive find: a gold ibex figurine, quite unique, which was found in December 1999 in excellent condition in its wooden case. Concluding our conversation with Professor Doumas, I ask him what Akrotiri means to him personally. “The scene of the… crime,” he replies laughing. “I will always return here, as long as I can still stand. And when you consider that only 3 percent of the prehistoric settlement has been investigated, we archaeologists still have many centuries of work beneath the shelter!”